The "Dangers" of Charismatic Worship!

I've still been thinking and lurking-reading the continuing "Strange Fire" and John Macarthur controversy.  I do look forward to reading the book when it becomes available in this country at some point.  But the issue Macarthur has with "charismatic" worship does deserve careful thought.  Do the songs we sing and love potentially deceive and lead us astray?  Or in fact do they bring us close to the Throne of Grace and a living encounter with the Risen Son of God?

There are two scenarios I can think of in my church experience.  The more reformed/functional cessationist settings were my home church in Dunstable when Stanley Jebb had taken it out of the charismatic movement and essentially banned all choruses.  We sang hymns and raising of hands was not approved (and tongues were most certainly forbidden!).  The other reformed/functional cessationist situation was when I lived in Bristol and attended the SGM church for 2 years - and most of their SGM songs were "cross-centered".

The other scenario of course has been the charismatic churches I have attended, and the glorious conferences that seek to teach the whole gospel - Cross through to ascension and glorification and outpoured Holy Spirit.  Now cessationists would shudder I am sure at the examples I present - but if you can ignore the raised arms and upturned faces to heaven - hear the words!



I love particularly;

"You have overcome the grave, Your glory fills the highest place - what can seperate me now?  You tore the veil, You made a way when You said that it is done!!".



And this amazing one; "Worthy is the Lamb! Seated on the Throne!  I crown You now with many crowns - You reign victorious!  High and lifted up - Jesus Son of God! The Darling of Heaven crucified - worthy is the Lamb".

How much more Gospel-filled can you get?!  Because the fact is - the Son of God isn't hanging on a cross broken and dying.  So what is the point of "kneeling at the old rugged cross"?  Of course we will be forever grateful for His sacrifice, but like Pilgrim in John Bunyan's classic - that is where our burdens roll away!  We are then free to stand and march on towards the Celestial City knowing that one day we will see Him face to face!

I would just add a final video which I think strikes powerfully at the heart of this "charismatic/cessationist" controversy.  It is by Noel Tredinnick - the Music Director at All Souls Church Langham Place (neither person nor church could be called charismatic in any way!).  But Tredinnick was speaking about worship in particular - the wonderful "Prom Praise" concerts held yearly at the Royal Albert Hall in London.  And he said this (the video is below);

"Now worship is two-way.  Our hearts are being lifted through the music to Christ.  We are adoring Him - we are singing our praise to the living Saviour.  That is one way - the arrow is going up.  But at the same time there is that moment, where God comes down if you like.  The veil of His robe fills the temple - His Presence.  There is a sense of His holiness where God is coming down into our midst - and that is a very exciting moment to behold".


I would suggest that is the issue.  Cessationists want to (as it seems) put God in heaven and leave Him there.  And to suggest that He is not only willing but eager to come down and reside among His people seems to shock and horrify them.  That's nothing new - it was apparent throughout revivals through the centuries.  There have ALWAYS been the rigid prayer meetings continuing to meet weekly to pray for revival, even though outside and around them God is saving souls by the thousands.  It is that eagerness to see God come - I think - which perhaps leads some charismatics to embrace experience that is of the flesh.

But that is no excuse to change one's theology and limit God to what He can and cannot do - as Dr Martyn Lloyd-Jones said quite rightly - the greatest sin of the evangelical church and all that is wrong with "Strange Fire".  As this post was touching on worship - it seems appropriate to end with another version of "The Power of the Cross" sung by Chris Bowater at the (also charismatic) Bible Week - "Grapevine".

Lou Fellingham and Phatfish with the All Souls Orchestra at Prom Praise!

I've had two great loves and two different expressions in worship for many years now. One of course is the more contemporary style of choruses led by worship bands. The other is the mighty and triumphant hymns that express great theology. The first is the reason why I love attending Bible Weeks like Stoneleigh Bible Week and indeed church life in general. The second sadly is a little more hard to come by since I left my home church in Dunstable. Hymns! There is nothing greater or closer to heaven than singing a mighty hymn like "And Can it Be?" or "Oh for a Thousand Tongues" along with a great organ.

Fortunately thanks to the All Souls Orchestra and Noel Tredinnick - that is possible by attending one of their great "Prom Praise" events (they will be visiting Birmingham in October!). There is nothing greater than standing with thousands of others at the Royal Albert Hall singing one of these great hymns.

So I was thrilled to read on Lou Fellingham's Twitter that she and Phatfish were special guests with Noel Tredinnick at the last Prom Praise event at Easter. Here's a video that Simon Brading shot for their You-Tube account!

The best of all worlds of worship have come together!

How Great Thou Art!

I hardly need mention that I am a charismatic in every sense of the word - loving worship that engages with God by the Spirit. I love modern song-writers, I love bands and my favourite worship leaders are women such as Lou Fellingham, Kate Simmonds and Darlene Zschech.

But I'm slightly a bit of an anomoly in that there is a powerful part of me that loves the mighty sung hymn written by men such as Charles Wesley. You cannot surpass singing your heart and soul out to a thundering organ and gathered orchestra. I guess this influence came from Dunstable, Stanley Jebb and the church which always loved to sing hymns along with the charismatic choruses.

So today I've been sorting out, unpacking and tidying my study/library and have been playing the latest album release from the wonderful All Souls Orchestra - "How Great Thou Art" - and an unashamed to admit I stood in the study with tears rolling down my cheeks as I enjoyed them sing the namesake of the album - the great hymn; "How great Thou art!". Here's the lyrics that really, really hit me;

"And when I think that God his son not sparing,

Sent him to die - I scarce can take it in,
That on the cross my burden gladly bearing,
He bled and died to take away my sin:

He bled and died to "TAKE AWAY" my sin! So if He went through that awful agony to take it away then why do I invest so much time trying to remember and mortify sin that is dead and doesn't exist anymore?

And this verse! Ah!

"When Christ shall come with shout of acclamation

And take me home- what joy shall fill my heart!
Then I shall bow in humble adoration
And there proclaim, my God, how great thou art!".

For those who are unfamiliar with the All Souls Orchestra and choir - here's a video below giving a taster with Stuart Townend.